The Sohnn Collection explores surface as a primary architectural element. Defined by fine vertical corrugation, the collection uses repetition at a micro scale to structure planar form and introduce rhythm without altering silhouette. Rather than shaping volume through mass or segmentation, Sohnn relies on surface articulation to establish proportion, texture, and visual order.

Each piece is composed of flat or gently curved planes wrapped in evenly spaced vertical ridges. The corrugation creates a consistent tactile field that modulates how the surface is perceived at different distances. From afar, the form reads as quiet and monolithic; up close, the texture becomes legible, revealing its fine-grain structure and measured repetition.

The vertical orientation of the corrugation establishes a sense of scale and direction, subtly elongating the form while breaking down its surface into smaller units. This approach recalls architectural cladding systems where repetition is used to manage proportion and introduce human scale without introducing overt detail.

Across the collection, Sohnn maintains a consistent surface language while allowing variation in size and application. The repetition remains constant, reinforcing the collection as a unified system defined by surface rhythm rather than formal complexity. Sohnn presents texture not as embellishment, but as a structural condition — one that allows planar geometry to carry depth, presence, and architectural clarity.